The
Mezzanine

The major point of interest
up here is the woodpile, set into one of the gables of the roof.
There are 2" iron pipes sunk into the walls up here (which
have been tremendously reinforced), so I can rack up a couple
tons of redwood and black walnut. Some of this wood has been seasoning
for at least 50 years. Some of it is about 3 years old. I'm pretty
well set for wood. In fact, if I had any more, I don't know where
I would put it!
The mezzanine is a perfect
place for the varnishing station. It is well above the dust stirred
up by my heroic efforts below, and tends to be the warmest place
in the shop, due to the rising warm air. I keep the shop about
65 degrees F, and 40% relative humidity (plus or minus 5%, which
is all the accurate my hygrometer is anyway). So I have all my
varnishes, shellacs, brushes, and so forth here at the little
bench cantilevered out over the edge of the mezzanine. I also
fold and staple shipping cartons here, and in do all the packing
and shipping organization here. It's a nice little compact space
for doing that.
On the other side of the
aisle, opposite the painting station, is Peghead City. Here is
where I keep a stock of pegheads and tailblocks going, in various
stages of being. I try to have at least a couple of pegheads complete
for each model, so I can have some grain and color choice in starting
a new instrument. And so I don't have to sit down a carve the
peghead and tailblock before I can begin! The peghead takes about
5 or 6 hours to complete, so that would be a considerable barrier
to expeditious beginnings.
Dwain
Wilder My
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